Is that thunder or something else? What is that bright light on the horizon? And what is that low humming sound? Shortly after Robbie puts his mic into a hole in the ground and hears something inexplicable, “The Outwaters” unleashes absolute terror. It starts simply enough with sounds in the desert, an odd number of bees, and what seems to be extreme weather threats. It makes for a deeply unsettling experience, one in which we’re supposed to feel as disoriented and terrified as Robbie himself. You know how most found footage films play with foreboding and end just as their characters are about to get rocked by something unimaginable? Banfitch goes further by setting up his people and then dropping them into Hell. That’s not a spoiler as much as the tone the film sets up. These four people are going to the middle of nowhere. His brother Scott is along for the ride, and Ange will handle makeup and hair. filmmaker who takes Michelle, a singer, to the desert to shoot a music video. Banfitch is also the director, cinematographer, and editor of “The Outwaters,” giving the whole thing an extra layer of immediacy in that it truly feels like these people are playing variations on themselves. It’s a slow burn, a film that offers footage that most people would delete from their iCloud as we’re introduced to the players: Robbie ( Robbie Banfitch), Michelle ( Michelle May), Scott (Scott Shamell), and Ange ( Angela Basolis). Title cards reveal that this found footage is being assembled by authorities, but the truth is that the cops would have cut the mundane material that introduces our victims. It’s a great prologue, and it makes clear that very bad things are going to happen.Īnd then almost nothing happens for what feels like a long time. There are disturbing noises behind her, but she’s so terrified that language has been lost. ![]() ![]() ![]() “The Outwaters” opens with a terrifying 911 call that consists solely of an operator trying to get the attention of the caller … who is screaming at the top of her lungs.
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